An achingly beautiful love letter to the ‘other’.
Synopsis: A student’s increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Told through a mixture of photo collage, archive clips and interview segments, Synonymous With is built on the conversations between largely unseen interviewer Jackson Weil (Thom Hilton) and former public access television host Syn (Remy Germinario). As the first Halloween without Syn’s TVKTV13 show Synister Synema with Myster Synonymous looms, a local film student looks to uncover more about the man behind the persona.
At only 12 minutes long, Synonymous With contains a wealth of emotive material, wearing its fondness for horror on its sleeve as well as delving into why those in the LGBTQ+ community and others who find themselves outside of the ‘norm’ discover solace in horror. Early in the film, Syn draws attention to the idea that popular people didn’t ‘need’ his public access channel, but those who found it were able to be ‘unknown, together’ in one of the film’s most touching sentiments. That sense of being an outsider, especially in a queer context and finding some kind of communal experience is one the film handles with particular skill and empathy.
Collaged photos deliver a definite sense of space, drawing on that wonderful small town Halloween feel of crunchy leaves, chilly weather and quirky decorations. The camera initially feels static, situating Syn as small, dwarfed by his persona, the world and the horror posters surrounding him. The increasing fluidity of the camera starts to allow him more space in which he is the central figure and focus of the attention. This stylistic shift assists in the building of their rapport but with a largely unspoken tension bubbling. Germinario makes for a charming screen presence, wearing vulnerability, quiet anger and a range of other emotions as the interviews progress. As the pair continue to converse, that uncomfortable early, almost parasocial intimacy begins to unwind. Their relationship is delicately built, readdressing boundaries and reframing roles in a way that is difficult not to be swept along with.
The crafting of the Synister Synema segments is excellent, with a playful camp at its centre in both the props, staging and Syn’s commentary. There is an authenticity in that low budget presentation of people being left to create for themselves and others like them, rather than trying to approach the mainstream. As much as this functions as an ode to the horror genre and its hosts, there is also a deeply held affection for the spaces that allow them to be unpolished and ungoverned, even if it is that very quality that means they may disappear without trace. That liminality of not knowing who (if anyone) is watching and if it is important to them is a deeply affecting idea.
I don’t mind saying that I have cried every single time I have watched this quiet, delicate film. The disarming vulnerability and striking beauty of finding light in darkness is a truly romantic one: a meditation on the power of being seen.
You can now watch Synonymous With on Vimeo.