A wildly entertaining prequel befitting the return of Esther to the big screen.
Synopsis: After orchestrating a brilliant escape from an Estonian psychiatric facility, Esther travels to America by impersonating the missing daughter of a wealthy family.
Crafting a prequel to 2009’s Orphan presents a daunting task. So much of the original film’s tension and perhaps more importantly, discomfort, rests on the perception of Esther (Isabelle Fuhrman) being a child and how at odds her behaviour is as a result. Any prequel has a challenge in building to what is, essentially, a foregone conclusion so trying to surprise the viewer becomes difficult. Impressively, First Kill builds upon the campier, trashier elements of the original managing to wring further tension from the narrative.
Part of this is down to impressive pacing, with an opening 15-minutes that manages to introduce a reminder of Esther’s unique condition while also swiftly kicking off some action. As Esther tries to find her footing in the wealthy Albright family the pace is kept buoyant by a steady stream of knowing dialogue and set pieces that are, at least for me, exactly what you want from this kind of story. The initial presentation of the Albright family, made up of Tricia (Julia Stiles), Allen (Rossif Sutherland) and son Gunnar (Matthew Finlan) highlights their wealth and status in Connecticut. This is by no means an incisive tearing down of the American class system, but the representation of that kind of family is an element the film has a lot of fun with.
A couple of the technical and CGI elements are a little unconvincing. The multiple methods used to de-age Fuhrman are jarring at times, particularly where the child stand-ins are most obvious in wide shots. This was relatively easy for me to overlook with the amount of fun to be had elsewhere. However, I can imagine that if the film hasn’t won you over by that point that those elements may become more distracting. First Kill is not only an echo of Orphan, genuinely presenting a take on the character that feels engaging.
For the most part, performance-wise, the film belongs once again to Isabelle Fuhrman, returning to the part after a long absence, but seemingly slipping into it with ease. Her take is different here, largely led by no longer having to conceal the depths of her character and so she is able to swap between the child-like presentation and more overt horror character more swiftly than in the original. Elsewhere, Julia Stiles brings buckets of charisma to her role, juggling the role of adoring mother while also becoming ever more skeptical of Esther’s unusual behaviour. The performances, particularly in the latter part of the film are a true highlight as the film really comes into its own.
Orphan: First Kill is not without flaws, but the overall impression is one of a fun horror that builds on a compelling character in a way destined to be a crowd-pleaser – trashy in the best possible way.
4 out of 5 stars
Signature Entertainment presents Orphan: First Kill exclusively in Cinemas from 19th August