A collaborative effort, awarded the Best Directors in the Fantastic Fest Horror Features category brings plenty of variety to this solid anthology.
Synopsis: A police raid uncovers a mysterious man chained up in a locked room. This mysterious man, who only refers to himself as the Traveler, leads us through four stories.
The Traveler (Efren Ramirez) is taken into police questioning following the gruesome discovery of a warehouse in which numerous people have been killed. As the lone survivor, he is of particular interest in finding out what has happened, but as the questioning progresses he seems to reveal more questions than answers.
Anthology films have to achieve a balance between their stories – too much comedy and each segment starts to feel similar, too much outright horror and the overall feel is too heavy. Satanic Hispanics, while leaning somewhat towards the more comic side just about gets this right. The wraparound set in the police station offers plenty of moments for the film to poke fun at itself as increasingly puzzled Detective Gibbons (Sonya Eddy) and Arden (Greg Grunberg) try to keep pace with his fantastic stories. The easy chemistry between the trio allows the film to rest between segments, building up to a visually impressive, music video-like finale.
Director Demian Rugna immediately delivers on the scare factor with a story about a man named Gustavo (Demián Salomón) who has seemingly found a way to make contact with the afterlife. However, as with many otherworldly discoveries, this has implications that he is soon forced to confront. This has a few well-pitched scares, coupled with a genuinely engaging concept, making it the perfect introduction.
Immediately switching tones, we head into the proudly silly El Vampiro, in which a mix-up over timings sends the titular vampire (a strong comedic showing for Hemky Madera) into a panicked rush for home. After the weight of the first entry, this provides a much-needed reset. This section is one of two that I would really appreciate seeing with a crowd (the other being the Hammer of Zanzibar) as the construction and escalation of the comic elements feel specifically designed for a late-night festival audience.
That isn’t to say that Satanic Hispanic forgets to provide horror, however, Gigi Saul Guerrero’s segment provides an emphasis on ritual and pain. While there is plenty of horror action elsewhere, this is the section that leans into a sense of brutality, seeking to make the most of the physicality. Close-ups enhance the sense of suffering throughout, making it one of the film’s most tactile entries. The placement allows for an ebb and flow of tone, offering the darker entries a lighter counterpart.
Impressive in its ease of atmosphere and keeping the number of stories manageable, Satanic Hispanics stands to be a real festival crowd pleaser.
3.5 out of 5 stars
Satanic Hispanics screened as part of Fantastic Fest 2022. Find out more about the festival at their webpage.