Surface political allegory meets interpersonal tension in this textured story.
Synopsis: A tale of dirt, soap, and magic set in a cult on a remote Greek island.
Irina (Greta Bohacek) and her younger brother Paul (Claude Heinrich) are members of a cult led by Fust (Sam Louwyck). Fust leads with a mythology and ethos that intersects with daily life, aided by rumours of his own otherworldliness. The cult is divided into two distinct areas. The upper area is a wealthy, pristine space, funded by a lower area engaged in making soap, raising pigs and being deprived of light and cleanliness. When Irina is handpicked by Fust to move to the upper level, Paul is left to come to terms with life without her.
The locating of the central cult on a Greek island with strange, often offputting rituals designed to discuss societal and cultural issues will obviously call to mind the label of Greek Weird Wave. A Pure Place lacks some of that characteristic bluntness, instead devoting time to the grounding of the cult’s mythology and the interpersonal relations. A few standout moments of oddness stick in the memory, but A Pure Place has to balance those with the sibling relationship at its heart. This does mean that it is more possible to overlook the obvious central allegory which lacks any kind of subtlety and invest in their connection.
The casual cruelty of the upper levels and the obsession with the story pushed by Fust dominates. The performances suit the heightened world they inhabit and while this is not a place for much nuance, there is a delicateness to the portrayals that prevent them from becoming only caricatures of the concepts they are required to embody. Still, it is difficult to assess if the film has anything particularly new to say, or even if it has to. The clear disparities in wealth are secondary to the more insidious white supremacy thread that runs throughout it with an emphasis on supposed purity that operates only on the suppression and abuse of others.
The attention to detail on the way the cult operates and the depth with which their mythology is imbedded into every action and the surroundings. The production design is well-observed with the decadence coming to further the obviously sinister ideological implications of Fust’s teachings. The messaging, although surface-level for the most part, is troubling in that in our current times we still need a reminder of how damaging that kind of belief is. The seduction of the vulnerable into the cult under the belief of a better life is captured in simple, but no less effective terms.
The impressive visuals make this an absorbing watch, although some of the strangness may hold some viewers at arms-length. It is a shame that the storytelling and impact cannot keep pace with the way the film looks.
3 out 5 stars
A Pure Place played as part of Grimmfest Easter. For more information on Grimmfest please see their webpage.