Morality and metal music underpins this revenge horror.
Synopsis: An upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter’s brutal murder.
Pastor Bishop (Michael Lombardi – also co-directing) is having something of an identity crisis. His church sermons are popular, drawing crowds due to his preaching of life lessons and including musical performances. He turns his easygoing nature and reluctance to challenge aggression around him into teachable moments for his followers but increasingly his daughters are questioning him, challenging him on his risk-aversion. In an attempt to loosen the reins on oldest daughter Sarah (Katie Kelly) he allows her to borrow the car to attend a Christmas party, setting in place a sequence of events that sees the teenager brutally murdered. Reeling from the loss, Bishop is drawn further into the murky side of the area, confronting violence, drugs and the seductive power of revenge.
On the surface (especially from the excellent poster art) it would be easy to assume that The Retaliators will offer an all-out, pulpy revenge film but the end result is actually more complex. The timeline moves around, offering an opening scene that returns with greater meaning and relevance much later in the narrative. These time shifts are furthered by a shift to different characters and a dedication to world-building. The move away from Bishop’s pristine, brightly-lit domestic space to the gloomy underground spaces really sets out well the darkness hiding just under the surface. Despite the focus on energetic, metal music throughout, this is a far more moody film than initial appearances suggest.
This creation of mood does take time, however, and there is an imbalance in how the film unravels. Placing some scenes out of sequence and spinning them off into different character concerns leaves the film with a dip in which nothing appears to connect for almost too long. Despite the satisfaction gained when everything does click into place, this does occasionally make it feel directionless. It does allow you to gain a greater understanding of the characters, with Bishop’s reckoning with his morality called into question by Jed (Marc Menchaca) a detective fighting his own demons. The time afforded to their positions is well-earned, while some of the underground scenes distract from that for a little too long.
Dynamic camera work comes into effect for later action scenes and the gore on offer is well-realised. Violence is given an impact, for the most part, allowing the time and space for the viewer to feel the hits as they land. As the film progresses into gorier territory that fades somewhat, allowing a little more inventiveness and even fun with its set pieces. With such a long time afforded to build the texture and detail of the area and characters this almost feels like a different kind of film, bringing a lot of energy late on. This is a film that wants to pursue both the lure of violence and the morality of revenge, both elements that do not always sit comfortably together.
Musical performers being involved in films can often seem like gimmick casting but The Retaliators weaves its cast well. If you are familiar with performers like Jacoby Shaddix, Spencer Charnas and Ivan Moody then you’ll recognise them and there is fun to be had in that recognition, but it isn’t essential. The soundtrack is obviously influenced by this, but it never feels like stunt or gimmick casting. Shaddix in particular holds his own as the deeply disturbed Quinn Brady.
If you like a decent helping of blood and angst in your Christmas horror films, you’ll find much to like here. Moody and pulpy by turns, The Retaliators makes for an uneven yet enjoyable ride.
3.5 out of 5 stars
The Retaliators will be in Cinemas worldwide from 14th September. Tickets are on sale now at https://www.retaliatorsmovie.com